I compose, record, edit, mix, and build instruments for cinema, performance, and live music. My practice moves between film sound, music production, and creative tooling — usually somewhere around Ableton Live, Max4Live, audiovisual systems, and the people performing with them.
Based in Palmas, Tocantins, Brazil. Trained in Sound Science and Technology at Universidade Lusófona in Lisbon. Author of RC Surface, a source-available Ableton Live extension that turns a phone into a wireless MIDI and multi-sensor controller.
My practice is deliberately generalist: I care about the idea, the signal path, the interface, and the final experience.
|
A Max4Live device that turns any phone browser into a wireless MIDI + multi-sensor controller for Ableton Live: performance pads, physics XY pads, motion, orientation, audio, and vision mappings.
|
Selected work across cinema, music production, live sound, generative audiovisual practice, and creative tools — with full project notes, credits, images, and links.
|
- Film sound — sound direction, editing, design, dialogue, mixing, and location sound for film, animation, documentary, and television.
- Music production — composition, recording, production, mix, and master for independent artists and live sessions.
- Creative tools — Max/MSP, Max4Live, Web Audio, MIDI, OSC, sensors, and interfaces built for real performance contexts.
- Generative audiovisual work — reactive systems using Hydra.js, Max, Ableton Live, and browser technologies. See the work on fxhash.
| Audio & post | Pro Tools · Ableton Live · Reaper · Ardour · location sound · ffmpeg |
| Creative coding | Max/MSP · Max4Live · TouchDesigner · Hydra.js · live coding |
| Web & protocols | JavaScript · TypeScript · Astro · Web Audio API · MIDI · OSC · MediaPipe |
The fastest routes are email, LinkedIn, or Discord at @gabworm. For credits and finished work, visit ntworm.github.io or IMDb.
“I do it because I love it, and I love it because of who I am.”