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<title>Interaction 11 | February 9-12, 2011 Boulder, CO</title>
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<td colspan="3"><h2>thursday, february 10th</h2></td>
</tr>
<tr>
<td class="time">9:15am</td>
<td class="tablehead linetop line" colspan="3">Opening Remarks</td>
</tr>
<tr>
<td class="time">9:30am</td>
<td class="tablehead line" colspan="3">Session 1</td>
</tr>
<tr>
<td class="time"> </td>
<td colspan="3" class="line">
<script src="j/5378.js" id="speakerrate-widget-5378"></script><h3><a href="pplkeynote.html#billverplank" onmouseover="ddrivetip('Join us for a keynote by Bill Verplank!')" onmouseout="hideddrivetip()">Opening Keynote</a></h3>
<h5><a href="pplkeynote.html#billverplank">Bill Verplank</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
</tr>
<tr>
<td class="time"> </td>
<td colspan="3" class="line">
<script src="j/5379.js" id="speakerrate-widget-5379"></script><h3><a href="lightning.html#MichaelMeyer" onmouseover="ddrivetip('Making sense and gaining advantage through a pragmatic understanding from the front lines of the Web - using the lessons of history from the Roman spread of civilization to the Nasa Space Progam and through to an insider\'s view of the design world over the last 10 years. The danger we face as people - designers, leaders, strategists, team members - is that as we grow larger, we can get farther and farther away from each other, and ultimately farther away from the people we design for. Learn from a leader in bringing a dedicated business sense to the Design world about the power of proximity in creating satisfaction and achievement in both a personal and professional arena.')" onmouseout="hideddrivetip()">Design Imperatives from the Roman Empire to the Nasa Space program and Beyond</a></h3>
<h5><a href="ppllightning.html#MichaelMeyer">Michael Meyer</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
</tr>
<tr>
<td class="time"> </td>
<td colspan="3" class="line">
<script src="j/5380.js" id="speakerrate-widget-5380"></script><h3><a href="lightning.html#CarlAlviani" onmouseover="ddrivetip('This session presents IxD as seen from the outside, starting with 10-15 quotes and/or video clips of non-interaction designers attempting to describe the value of IxD and the skillset needed to pursue it. It then summarizes these external perceptions (as well as my own) and contrasts them with the dialogs within IxDA and among acquaintances in the Portland IxD community. It concludes with suggestions for narrowing thisdiscrepancy through the use of metaphor, familiar terminology and example-driven storytelling.')" onmouseout="hideddrivetip()">What do you do, anyway? - Describing IxD to the Outside World</a></h3>
<h5><a href="ppllightning.html#CarlAlviani">Carl Alviani</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
</tr>
<tr>
<td class="time"> </td>
<td colspan="3" class="line">
<script src="j/5381.js" id="speakerrate-widget-5381"></script><h3><a href="lightning.html#PeterKnocke" onmouseover="ddrivetip('Have we lost balance in life? Our daily routine moves in hyperdrive with content creation, curation, and consumption at every step. It is now possible to shoot, edit, and upload a video before your morning coffee, yet it is also possible to spend an entire 8 hour shift without leaving the warm glow of Google reader. Designers and developers now have the tools to build highly influential devices and systems which users can be defenseless against. From the eyes of our clients, we are designing beautiful systems where users pleasantly consume glorious amounts of rich content, yet how is this impacting our overall lives? We are now only a misguided click from falling down a rabbit hole of continual consumption. As we witness more and more people being constantly connected to at least one form of media, we must consider the ugly side of our beautiful designs.')" onmouseout="hideddrivetip()">Consume Consume Consume</a></h3>
<h5><a href="ppllightning.html#PeterKnocke">Peter Knocke</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
</tr>
<tr>
<td class="time"> </td>
<td colspan="3" class="line">
<script src="j/5382.js" id="speakerrate-widget-5382"></script><h3><a href="lightning.html#TimWood" onmouseover="ddrivetip('Designers have grown complacent - overly dependent on anachronistic design patterns to provide ready-made solutions for the design problem at hand. In many cases this complacency is exacerbated by process, schedule or resource constraints that have always been a factor in preventing designers from truly innovating for users. Additionally, the pressure to design a \'usable\' system often prevents designers from taking risks and exploring superior solutions than what may be found by using traditional \'off the self\' GUI widgets. The lost relevance of these common patterns is clouding the future of interaction design and creating a barrier to well-designed products. This clouding effect can manifest as \'complacency artifacts\' that appear in the design solutions we create when we do not apply the appropriate degree of design diligence. To create new solutions that are engaging, relevant and usable, interaction designers must understand the mechanisms of control logic underlying commonly used GUI widgets.')" onmouseout="hideddrivetip()">Scandalous Interaction</a></h3>
<h5><a href="ppllightning.html#TimWood">Tim Wood</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
</tr>
<tr>
<td class="time"> </td>
<td colspan="3" class="line">
<h3>Group Q&A with Session 1 speakers</h3>
<h5><a href="pplkeynote.html#billverplank">Bill Verplank</a>, <a href="ppllightning.html#MichaelMeyer">Michael Meyer</a>, <a href="ppllightning.html#CarlAlviani">Carl Alviani</a>, <a href="ppllightning.html#PeterKnocke">Peter Knocke</a>, <a href="ppllightning.html#TimWood">Tim Wood</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
</tr>
<tr>
<td class="time">12:20pm</td>
<td class="tablehead line" colspan="3">Lunch</td>
</tr>
<tr>
<td class="time">12:30pm</td>
<td colspan="3" class="line">
<script src="j/5383.js" id="speakerrate-widget-5383"></script><h3><a href="extraactivities.html" onmouseover="ddrivetip('Following on from the global success of the UX Book Club - now operating globally in over 80 locations - this session mimics the discussion format in use by many of the larger groups. Attendees will be asked to read Adam Greenfield\'s _Everyware: The Dawning Age of Ubiquitous Computing_ and Bruce Sterling\'s _Shaping Things_ and to engage in a discussion around _Interaction design for ambient technology_. The focus of the session will be on engaging in a peer-to-peer discussion of the topic, in an unmoderated form - as has proven popular with UX Book Club attendees around the world. Session coordinators (tbc) will roam the room, assisting with the discussion and providing input as necessary. The session will close with a short wrap-up of major themes explored from around the room. At Interaction 10 the UX Book Club session, held over lunch, attracted around 150 for an hour-long discussion and Q&A with authors Jon Kolko & Dan Saffer. The session received very positive feedback and generated very engaged discussion around the room.')" onmouseout="hideddrivetip()">UX Bookclub, Over Lunch</a></h3>
<h5><a href="pplworkshop.html#SteveBaty">Steve Baty</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
</tr>
<tr>
<td class="time">2:00pm</td>
<td colspan="3">
<h3><a href="student.html">Student Design Competition Session 1: Quick Fire Feedback Round</a></h3>
<h5>Liz Danzico & Andy Polaine</h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
</tr>
<tr>
<td class="time">2:20pm</td>
<td class="tablehead linetop line">Session 2A</td>
<td> </td>
<td class="tablehead linetop line">Session 2B</td>
</tr>
<tr>
<td class="time"> </td>
<td class="line">
<script src="j/5384.js" id="speakerrate-widget-5384"></script><h3><a href="pplkeynote.html#erikhersman" ONMOUSEOVER="ddrivetip('Web design, standards and usability are all great terms to talk about as you sit in a cushy office in the US, but do they mean anything to your counterparts sitting at the edge of the web in places like Africa? The constraints placed on interactive designers in Africa are not just infrastructure, they\'re also about user norms and a population that hasn\'t experienced the Web in the same way as those in the West. How do you thrive here?')"; ONMOUSEOUT="hideddrivetip()">
Afternoon Keynote</a>
</h3>
<h5><a href="pplkeynote.html#erikhersman">Erik Hersman</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
<td> </td>
<td class="line">
<script src="j/5385.js" id="speakerrate-widget-5385"></script><h3><a href="pplkeynote.html#lisastrausfeld" ONMOUSEOVER="ddrivetip('Join us for a keynote by Lisa Strausfeld!')"; ONMOUSEOUT="hideddrivetip()">
Afternoon Keynote</a>
</h3>
<h5><a href="pplkeynote.html#lisastrausfeld">Lisa Strausfeld</a></h5>
<span class="lightbrn">UMC, Room 235</span>
</td>
</tr>
<tr>
<td class="time"> </td>
<td class="line">
<script src="j/5386.js" id="speakerrate-widget-5386"></script><h3><a href="lightning.html#SusanWyche" ONMOUSEOVER="ddrivetip('As designers explore how to appropriately develop technology for users in the developing world, they must reconsider the interaction styles embedded in the applications and devices they create. In this talk, I present results from a study examining how professionals living and working in Nairobi, Kenya, use computers in their everyday lives. There are two takeaways from this presentation. First, I describe the constraints participants encountered when using technology in an infrastructure-poor setting. These constraints are limited bandwidth, high costs, differing perceptions of responsiveness, and threats to security. Second, I use these findings to critically evaluate the \'access, anytime and anywhere\' construct shaping the design of future technologies. I present an alternative vision called \'deliberate interactions\' - a planned and purposeful interaction style that involves offline preparation - and describe how technology can be designed to support this online usage behavior.')"; ONMOUSEOUT="hideddrivetip()">
Design for the Developing World</a>
</h3>
<h5><a href="ppllightning.html#SusanWyche">Susan Wyche</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
<td> </td>
<td class="line">
<script src="j/5387.js" id="speakerrate-widget-5387"></script><h3><a href="lightning.html#NickMyers" ONMOUSEOVER="ddrivetip('Like it or not, more and more interactions between companies and their customers are occurring via an interface. Careful consideration of the interaction and visual design is of paramount importance to any company wishing to grow their customer base or loyalty. The importance of visual interface design has risen sharply since the introduction of smart phones and tablets and is becoming ever more complex. Executives now care more than ever about the visual interface and what it means to their brand. So how does one stand out? This talk will help designers create visual interfaces for dense, complex products and make their experiences memorable and useful. The talk highlights some of the key differences between more traditional visual design mediums and designing for the interface. It will also discuss how to design a unique visual interface but put the needs of users first, how to add surprise and delight to critical moments of the experience, and how craftsmanship and attention to detail can set you apart in a visually complex medium.')"; ONMOUSEOUT="hideddrivetip()">
The visual interface is now your brand</a>
</h3>
<h5><a href="ppllightning.html#NickMyers">Nick Myers</a></h5>
<span class="lightbrn">UMC, Room 235</span>
</td>
</tr>
<tr>
<td class="time"> </td>
<td>
<script src="j/5388.js" id="speakerrate-widget-5388"></script><h3><a href="lightning.html#CarlDisalvo" ONMOUSEOVER="ddrivetip('Over the past 100 years, design had played a significant role in advancing agri-business by producing products, systems, and services that support large-scale corporate farming. The question we ask is, Can design now play a role in shifting us towards more sustainable modes of agriculture? What kinds of products, services and systems would need to be designed that shift? How can the technologies of automation and monitoring that support large-scale corporate farming be redesigned for local small-scale agriculture? The growBot Garden project explores these questions by bringing together interaction designers, farmers and other food producers to ask: How might robotics and sensing technologies be used in support of local small-scale agriculture? In this lightening session we will present the growBot Garden project, calling attention to both it\'s specific successes and failures, and the broader challenges and opportunities of melding co-design and interaction design in the context of sustainable agriculture. Attendees will be inspired, and too, will come away with a case-study of socially-engaged interaction design they can extend to their own projects.')"; ONMOUSEOUT="hideddrivetip()">
growBot Garden: The Co-Design of Alternative Agricultures</a>
</h3>
<h5><a href="ppllightning.html#CarlDisalvo">Carl DiSalvo</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
<td> </td>
<td>
<script src="j/5389.js" id="speakerrate-widget-5389"></script><h3><a href="lightning.html#PeterStahl" ONMOUSEOVER="ddrivetip('Most interactions have an underlying rhythm. For example, an application may ask a user to scan a list of items, then click to select one, leading to another list to scan and click. Scan, click, scan, click. The best such experiences induce a state of flow, in Csikszentmihalyi\'s sense, during which users get into such a groove that the mechanics of operating the program disappear, allowing users to focus entirely on meaning. Flow is associated with increased learning and positive feelings. Great flows can even cause users to regard the interaction itself as intrinsically rewarding. (Wouldn\'t that be awesome?) This session will dive into how we can design pacing, tempo and rhythm into our interfaces, with examples from the presenter and (even better!) the audience. This could include adapting techniques from animation and movies, game systems, audio interfaces, music and choreography.')"; ONMOUSEOUT="hideddrivetip()">
The Rhythm of Interaction</a>
</h3>
<h5><a href="ppllightning.html#PeterStahl">Peter Stahl</a></h5>
<span class="lightbrn">UMC, Room 235</span>
</td>
</tr>
<tr>
<td class="time">3:50pm</td>
<td class="tablehead linetop" colspan="3">Beer o'Clock, sponsored by Catalyst</td>
</tr>
<tr>
<td class="time"> </td>
<td class=" line" colspan="3">
<span class="lightbrn">
Join our sponsor <a href="http://www.catalystnyc.com/" target="_blank">Catalyst Group</a> for a happy hour!
</span>
</td>
</tr>
<tr>
<td class="time">4:20pm</td>
<td class="line">
<script src="j/5390.js" id="speakerrate-widget-5390"></script><h3><a href="lightning.html#AnaDomb" ONMOUSEOVER="ddrivetip('This talk will present the innovation process, the implementation of participatory culture and the appropriation of technologies as it is experienced in Tecnobrega, Brazil\'s Cheesy Techno\'. This music turned many conventions of the mainstream music industry upside down. Its musicians decided to forgo copyright in favor of allowing their music to circulate (and mutate) freely. Today, in a city with very limited economic resources, Tecnobrega is a thriving, commercially viable, industry. Brazil\'s has become an increasingly relevant market; this case study offers a glimpse into its proactive, heterogeneous and creative audiences. It is the result of ethnographic research I conducted while at the Convergence Culture Consortium at MIT.')"; ONMOUSEOUT="hideddrivetip()">
Tacky and Proud: Brazil's Tecnobrega Audiences</a>
</h3>
<h5><a href="ppllightning.html#AnaDomb">Ana Domb</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
<td> </td>
<td class="line">
<script src="j/5391.js" id="speakerrate-widget-5391"></script><h3><a href="lightning.html#ScottStroud" ONMOUSEOVER="ddrivetip('This is the story of a radio company returning to its roots: enlightening and entertaining people in the comfort of their living room (or wherever they roam). When Steve Jobs first demonstrated the iPad, he was seated, lounging in a leather armchair. Our challenge at NPR was to design an app that fulfilled the promise of a lean-back experience on a transformational new platform. This presentation is for app designers and anyone who wants to rethink and reform how users engage with their content.')"; ONMOUSEOUT="hideddrivetip()">
Leaning Back With NPR: How We Created A Relaxing Experience For The iPad</a>
</h3>
<h5><a href="ppllightning.html#ScottStroud">Scott Stroud</a></h5>
<span class="lightbrn">UMC, Room 235</span>
</td>
</tr>
<tr>
<td class="time"> </td>
<td>
<h3>Group Q&A with Session 2A speakers</h3>
<h5><a href="pplkeynote.html#erikhersman">Erik Hersman</a>, <a href="ppllightning.html#SusanWyche">Susan Wyche</a>, <a href="ppllightning.html#CarlDisalvo">Carl DiSalvo</a>, <a href="ppllightning.html#AnaDomb">Ana Domb</a></h5>
<span class="lightbrn">UMC, Microsoft Glenn Miller Ballroom</span>
</td>
<td> </td>
<td>
<h3>Group Q&A with Session 2B speakers</h3>
<h5><a href="pplkeynote.html#lisastrausfeld">Lisa Strausfeld</a>, <a href="ppllightning.html#NickMyers">Nick Myers</a>, <a href="ppllightning.html#PeterStahl">Peter Stahl</a>, <a href="ppllightning.html#ScottStroud">Scott Stroud</a></h5>
<span class="lightbrn">UMC, Room 235</span>
</td>
</tr>
<tr>
<td class="time">6:00pm</td>
<td class="tablehead linetop" colspan="3"><a href="party.html#openingparty" ONMOUSEOVER="ddrivetip('After you wrap up the last session of the day, fast-track it over to the theater where America\'s Top Chef, Hosea Rosenberg, and his StrEAT Chefs team will transport you from the alleyways of Bangkok to sand pits on the beaches of Mexico with street food from across the globe. Want to get a true StrEAT experience? Grab a bite from the StrEAT Chef Airstream trailer outside the theater entrance. Inside, you can sample more international fare and chill at the liquid nitrogen dessert table while you soak in the sounds of DJ Eddie B. spinning 60s vinyl and an indie-electro/dance rock set from Cristian Whitney.<br /><br />Looking for some serious swag? Adobe will be giving away software suites throughout the evening - you just need to be present to win. <br /><br />Don\'t miss an electrifying live performance from Denver\'s hottest new indie-rock band Snake Rattle Rattle Snake. Crowned Westword\'s Best New Band in 2010, music critic Tom Murphy says the band\'s "atmospheric music with a grounding in dance rhythms make it an inspiringly compelling live act." Who knows... we may even get a sneak peek of some songs from their upcoming new release before it hits the streets.')"; ONMOUSEOUT="hideddrivetip()">Opening party, sponsored by Adobe and EffectiveUI</a></td>
</tr>
<tr>
<td class="time"> </td>
<td class=" line" colspan="3">
<span class="lightbrn">
<a href="http://maps.google.co.uk/maps?client=safari&rls=en&q=2032+14th+Street+boulder&oe=UTF-8&redir_esc=&um=1&ie=UTF-8&hq=&hnear=2032+14th+St,+Boulder,+CO+80302,+USA&gl=uk&ei=gUM_TcP0IMjEswa0oe2KBQ&sa=X&oi=geocode_result&ct=title&resnum=1&ved=0CBkQ8gEwAA" target="_blank">The Boulder Theater, 2032 14th Street</a><br />
<span class="lightbrn"><b>Getting There</b>: The Boulder Theater is a short walk (5-10 minutes) from the St. Julien, the Hotel Boulderado and other downtown hotels. Or, catch a conference shuttle bus from any official conference hotel (buses loop from the conference hotels to the Boulder Theater and back, approximately every 15 minutes).
</span>
</td>
</tr>
</table>
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